4.
vAraNam paiya ninRUrvadupOl - as the trudging elephant in rut
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Coutesy: PBASE ramanuja dasargal |
This
is from Periyazhwar Thirumozhi 1-5-1. "thoDar changiligai chalAr
pilArennat thUnguponmaNiyolippa paDumummadap punal chOra vAraNam
paiyaninRu uRvadu pOl uDankUDi kiNkiNi AravArippa uDaimaNi
paRaikaRangat thaDanthALinai koNDu cArngapANi thaLarnaDai naDavAnO".
Lord
Krishna walks unsteadily as a child. As He walks, His anklets ring
"kiNkiN". The small jewels around His waist swing across
and sound a gentle music. The small child sweats at His small effort.
Periyazhwar finds comparison to this scene in an elephant in rut. As
the passionate elephant breaks free and trudges along, the chains
bound to its feet sway about making clashing sounds, the bells hung
about its neck on a golden rope make music in their sway and the
waters of rut exude from its face. Having sung the Thirupallandu on the back of an elephant using its very bells for the music, Periyazhwar makes a most beautiful comparison
indeed!
amazing description of periyazhwar pasuram swamin. kannan azhagu. avanoda nadai innum azhagu. speaking of elephants, adiyen gets reminded on this thirunedunthandagam phrase "ulagamethum then aanai vadayaanaai kudabaalaanai gunapaadhamadhaanai..."
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